dc.contributor.author |
Anthony, John James |
en_US |
dc.date.accessioned |
2013-11-15T16:08:34Z |
|
dc.date.accessioned |
2019-09-08T02:48:00Z |
|
dc.date.available |
2013-11-15T16:08:34Z |
|
dc.date.available |
2019-09-08T02:48:00Z |
|
dc.date.issued |
2012 |
|
dc.identifier |
840117522 |
en_US |
dc.identifier.other |
b21399621 |
en_US |
dc.identifier.uri |
http://hdl.handle.net/1989/10613 |
|
dc.description |
iii, 63 leaves : music ; 29 cm. |
en_US |
dc.description.statementofresponsibility |
by John J. Anthony. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.relation.ispartofseries |
Mus. Mast. Theses no.39 |
en_US |
dc.subject.lcsh |
Rogers, Adam (Guitarist)--Criticism and interpretation. |
en_US |
dc.subject.lcsh |
Jazz. |
en_US |
dc.title |
Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let's Cool One” |
en_US |
dc.type |
Thesis |
en_US |