ENGL 4890: Senior Seminar: Literature as Political Commentary Fall 2007 Course Code 1384 Dr. Sherry Linkon 235 DeBartolo Hall 330-941-1951 or 330-941-2977 sllinkon@ysu.edu Office hours: T/Th 11 – 12 W 1-4 Course description: Literature is often influenced by its cultural context, but many writers and literary texts also influence society. Through stories, poems, plays, and essays, writers make arguments about political issues. Harriett Beecher Stowe is credited with having started the Civil War with her novel Uncle Tom’s Cabin. Upton Sinclair inspired food safety legislation with The Jungle. Poets have written passionate and critical commentaries on America’s wars, economic and racial justice, woman suffrage, and much more. I define “politics” broadly, because in most cases literature is not about things like who gets elected or the machinations of Congress but about social issues that are shaped by public policy. Literature reflects and comments on politics by telling stories about social issues. This semester, we’ll use several examples of literary commentaries as tools to consider the relationship between literature and society and to help us think about why literature matters. Senior Seminar also fulfills YSU’s general education requirement as a capstone course. It will provide you the opportunity to synthesize your prior learning about how to study literature and to develop a major research project of your own. During the semester, we’ll discuss and apply the “core ideas” of literary studies, and you will complete an individual research project on a text, writer, or issue of your choice. What You Can Get from This Course (course goals): This course gives you an opportunity to deepen and polish your understanding of core ideas about literature and literary study. I divide these into “content” and “strategic” knowledge, or to put it another way “what you know” and “what you know how to do.” Content Knowledge: Writers and readers are strongly influenced by their cultures, including the political issues of the time For some authors, writing is a form of political engagement Literature sometimes influences society, including politics Because politics are often present in texts even when writers don’t intend their work as commentary, we may gain insight into literature by reading through a political lens Strategic Knowledge: Primary and secondary research help us understand literary texts, and primary research, especially, is crucial to analyzing literature as political commentary Research should inform the interpretation, presentation, and teaching of literary texts Teaching and writing about literature can also be political Texts: Rose Terry Cooke, “Mrs. Flint’s Married Experience” and “Rachel’s Refusal” (in WebCT) Rebecca Harding Davis, Life in the Iron Mills (Bedford Critical Edition) Carolyn Forche, “The Colonel,” “On the Poetry of Witness,” excerpt from interview with Bill Moyers (in WebCT) Tony Kushner, Angels in America John Steinbeck, The Grapes of Wrath (Viking Critical Edition) Assignments: Over the course of the semester, you will study a text, writer, or issue and create two finished products about your topic: a traditional research paper and a piece of public writing (which you may do individually or collaboratively). You have several options for the public piece: a teaching unit for a secondary or college course, a website, a mini-documentary film (using video or powerpoint, or simply a well-annotated script), a presentation using powerpoint, or an editorial. Along the way, you’ll write 3 papers that will help you develop your understanding of your topic: an informal response essay, an essay on the historical and political context of the text or texts you’re studying, and an essay on the existing body of critical work about those texts. AssignmentDue DateValueResponse/reflection essay September 1810%Contextual essayOctober 1110%Critical debates review essay November 610%Academic paper draftNovember 1510%Academic paper November 2740%Public pieceDecember 1120% Course Schedule DateThemes/TasksWhat to read BEFORE you come to class 8/30Why does literature matter?9/4In what ways can literature be political? Carolyn Forche, “The Colonel” and related comments (posted in WebCT)9/6Reading through a political lensCooke short stories9/11Researchable questionsDavis, “Life in the Iron Mills”9/13Group work dayBackground materials on Davis, selected by your working group9/18Group presentations on Davis9/20Strategies and tools for exploring contextRead the texts you’ve chosen9/25Read The Grapes of Wrath9/27Steinbeck in contextRead essays by Taylor and McWilliams, pp. 457 - 48910/2What the critics sayRead “Editor’s Introduction” to criticism of The Grapes of Wrath, pp. 547 - 56110/4Making sense of literary criticismRead assigned essay, TBA10/9Critical articles as modelsRead 2 of the critical essays in the Viking edition10/11Context essays due Planning your own research10/16Individual conferences10/18Individual conferences10/23Politics as contentRead Angels in America10/25Optional: film screening10/30The politics of form and genre11/1Review of MLA format – bring to class the guidelines you reviewedRead instructions for MLA in-text citation and works cited in a standard handbook or online writing lab11/6Critical review essays due11/8Strategies for planning an academic paper11/13Elements of academic styleRead guidelines for writing about literature11/15Academic paper drafts due – distribute electronically to your working group11/20Going public – why & how?11/22THANKSGIVING11/27Public working groups meet11/29Small group meetings w/ Sherry12/4Small group meetings w/ Sherry12/6Small group presentations