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Attractive oblivions identity, queer theory, and heterotopias in Ari Aster's Midsommar and Margaret Atwood's The heart goes last
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Attractive oblivions identity, queer theory, and heterotopias in Ari Aster's Midsommar and Margaret Atwood's The heart goes last
Reese, Emily
URI:
http://hdl.handle.net/1989/15777
Date:
2020
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